Preview: Friday, 17 November, 6:00pm - 9:00pm
Exhibition: 22 November - 16 December 2017
Opening Times: Thu - Sat, 11:00am - 5:00pm
Location: Abject Gallery, 8th Floor, Bamburgh House
Abject Gallery is pleased to host an exhibition of hidden photography from inside the Democratic People’s Republic of Korea by Nathalie Daoust.
Photographer Nathalie Daoust’s newest project, Korean Dreams, is a complex series that probes the unsettling vacuity of North Korea. Piercing its veil with her lens, these images reveal a country that seems to exist outside of time, as a carefully choreographed mirage. Daoust has spent much of her career exploring the chimeric world of fantasy: the hidden desires and urges that compel people to dream, to dress up, to move beyond the bounds of convention and to escape from reality. With Korean Dreams she is exploring this escapist impulse not as an individual choice, but as a way of life forced upon an entire nation.
Daoust deliberately obscures her photographs during the development stage, as the layers of film are peeled off, the images are stifled until the facts becomes ‘lost’ in the process and a sense of detachment from reality is revealed. This darkroom method mimics the way information is transferred in North Korea – the photographs, as the North Korea people, are both manipulated until the underlying truth is all but a blur. The resultant pictures speak to North Korean society, of missing information and truth concealed.
“I’ve learnt that things are never as they seem and that I shouldn’t judge anyone until I’ve walked in their shoes, or at least taken the time to get to know them. When I first went to North Korea, I couldn’t understand why the whole country didn’t just rise up and fight for their rights to freedom after so many years of oppression and pain. After visiting, however, I now completely understand why they can’t.” - Nathalie Daoust
Nathalie Daoust’s photographs reflect a love for random places and a wild, inexhaustible sense of inquisitiveness. Exploring, experiencing and documenting rarely visited landscapes and carefully hidden hotel rooms, she spent the last decade producing voyeuristic insights into these otherwise veiled existences.
The Canadian photographer, who studied the technical aspects of photography at the Cégep du Vieux-Montréal, spent two years in the late nineties living in the Carlton Arms Hotel in New York. The rooms, all themed and decorated with wild, colourful murals formed an excellent background for Daoust’s photographic projects which focused on the dark, obscure and, especially in those years, the ghostly. She has travelled extensively and took photos not only of New York hotel rooms but also of Tokyo’s red light district, Brazilian brothels and Swiss naturists populating the Alps.
Daoust has created an oeuvre that is both diverse and intense. Seeking to translate her almost childlike curiosity, her perseverance and her highly individual interpretation of the world into fairy tale like stories, she single-handedly creates new myths about modern day society, as well as real-life stories of the underdogs.
Since my very first experiments in photography I have been fascinated by human behaviour and its various realities, by the ever-present human desire of living in a dream world. The aesthetic of my new project continues this visual exploration at the border between dream and reality, yet this time it embraces escapism of a country and the act of losing oneself within it.
My objective as an artist is to push the boundaries of photography through experimental methods, working with new mediums and discovering new techniques in the darkroom.